Jim Hodges, With Liberty and Justice for All (A Work in Progress), 2014–2016. Stainless steel, Dichrolam, acrylic, enamel paint, and LED lights. Installed, 84 x 1,737 x 10 inches. Installation view, The Contemporary Austin – The Moody Rooftop at the Jones Center, Austin, Texas, 2017. Artwork © Jim Hodges. Courtesy the artist and Gladstone Gallery, New York and Brussels. Image © The Contemporary Austin. Photograph by Brian Fitzsimmons.
The Contemporary Austin unveils a new outdoor installation by artist Jim Hodges for The Moody Rooftop at the Jones Center.
Jenny Holzer, IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY, 2022. Acrylic latex paint on stucco. Text: Survival, 1983–1985. © 2022 Jenny Holzer, ARS. Image courtesy The Contemporary Austin. Photograph by Alex Boeschenstein.
The Contemporary Austin’s Fall 2022 exhibition IN A DREAM YOU SAW A WAY TO SURVIVE AND YOU WERE FULL OF JOY took its title from an iconic text by Jenny Holzer. In conjunction with the exhibition and in collaboration with the artist, the museum presents Holzer’s text as a mural on the fascade of our downtown Austin building.
Installation view, Perry Art Park, Austin, Texas, 2017, with (from left) Peter Reginato, Blue Float, 1978; Jim Huntington, Dayton, 1977; and Betty Gold, Alas #IV, 1994. Artwork and image courtesy The Contemporary Austin – Museum Without Walls Program. Photograph by Brian Fitzsimmons.
The Contemporary Austin’s Museum Without Walls program brings art beyond the walls of the museum and out into the community in new ways and in diverse venues.
David Deming, Mystic Raven, 1983. Painted steel. 264 x 192 x 72 inches. Collection of The Contemporary Austin. Gift of TRST Congress, Inc., 1992.10. Installation view, Pease Park at Shoal Creek Greenbelt, Austin, Texas, 2017. Artwork and image courtesy The Contemporary Austin – Museum Without Walls Program. Photograph by Brian Fitzsimmons.
This Land is a group exhibition about landscape: how it records the social and environmental effects of colonialism and capitalism.
The Contemporary Austin will showcase a mural by artist Manik Raj Nakra on the Jones Center’s downtown building on 7th and Congress.
Wangechi Mutu, Water Woman, 2017. Bronze. 36 x 65 x 70 inches. Edition 2 of 3, with 2 AP. Collection of The Contemporary Austin. Purchased with funds provided by the Edward and Betty Marcus Foundation, 2017.5. Installation view, The Contemporary Austin – Laguna Gloria, Austin, Texas, 2017. Artwork © Wangechi Mutu. Image courtesy The Contemporary Austin. Photograph by Brian Fitzsimmons.
The Contemporary Austin’s Betty and Edward Marcus Sculpture Park at Laguna Gloria is named in honor of a founding grant by the Edward and Betty Marcus Foundation. This contemporary art destination presents exhibitions and permanent outdoor art installations on a site of great natural beauty on Lake Austin.
Eamon Ore-Giron, Talking Shit with Amaru, 2021. Mineral paint and Flashe on canvas. 132 x 204 inches. Installation view, Eamon Ore-Giron: Competing with Lightning / Rivalizando con el relámpago, The Contemporary Austin – Jones Center on Congress Avenue, Austin, Texas, 2023. Artwork © Eamon Ore-Giron. Courtesy the artist and James Cohan, New York. Image courtesy The Contemporary Austin. Photograph by Alex Boeschenstein.
This exhibition brings together paintings from the last twenty years by artist, musician, and DJ Eamon Ore-Giron; from his Southwest and Peruvian-inspired figurative works from the 2000s, to his paintings in the 2010s that engaged elements of both figuration and abstraction, including an ongoing series focused on Mesoamerican deities, to his most recent Infinite Regress series.
Celeste, Un fondo, un escenario, un paisaje, 2022. Lime and concrete pigments on wall. 118 1/8 x 118 1/8 x 118 1/8 inches (approximate dimensions). Installation view, Inmortalizando al cangrejo, Guadalajara 90210, Mexico City, 2022. Artwork © Celeste. Image courtesy the artists. Photograph by Ruben Garay.
This exhibition showcases work by Celeste, a collaborative duo based in Mexico City formed by artists María Fernanda Camarena and Gabriel Rosas Alemán. Through the integration of diverse media and disciplines in their practice, Celeste conducts a negotiation that expands concentrically in order to gradually encompass other collaborators and spectators within the workings of an intimate exchange.
Celeste, Manta de cielo, 2022. Pigments and acrylic base on dyed cotton canvas. 275 1/2 x 354 3/8 x 110 1/4 inches. Installation view at JO-HS, Mexico City, 2022. Artwork © Celeste. Image courtesy the artists. Photograph by Sergio López.
The temporary installation of Manta de cielo at Laguna Gloria incorporates the area where it is installed, filtering natural light through dyed fabric and into the space, turning the interior a bright shade of pink. The textile piece was created as a shelter to host gatherings, events, and celebrations.